Enacting the Bible in medieval and early modern drama Hugh Pemberton

Enacting the Bible in medieval and early modern drama Hugh PembertonThe thirteen chapters in this collection open up new horizons for the study of biblical drama by putting special emphasis on multitemporality, the intersections of biblical narrative and performance, and the strategies employed by playwrights to rework and adapt the biblical source material in Catholic, Protestant and Jewish culture.

Stefania Michelucci on myth and war in ‘The Ladybird’

This text looks at the identity of English women religious through the lenses of gender

have inflicted a humiliating defeat on the European Union

and the impact they had on Anglo-Jewry

newspaper exposés and personal testimony

It offers a systematic explanation for the rise of this super empire

The only editions of the play in print

Examines mock-documentary through the specific relationship which the form has with documentary

for the just acknowledgement of her rights

It deals with elite culture – from political prophecy to astrology

it seeks to answer some of Egyptology's biggest questions

industry interviews and audience research