Auguste Blackman 'Untitled (Bright Eyed)' printmakingElectric with life and colour, this painting presents the owl as both sentinel and riddle a timeless emblem of instinct, wisdom, and the worlds we sense but cannot quite see. Colour surges across the surface in confident, expressive gestures, balancing instinctive energy with moments of surprising tenderness. The result is a work that feels at once grounded in nature and untethered by it, pulling the viewer into a lush, imaginative realm. Layers of
Cooke’s “Land and sea #59” is a breathtaking find
Van Gogh painted thirty-seven self-portraits
kissing fish and a beaming sun
Gorringe-Smith creates an intimate depiction of the native Australia bird
Museum of the City of Skopje
James Drinkwater is a contemporary Australian artist whose practice is anchored in memory
Andy Warhol and Bridget Riley - placing Whiteley directly within a moment of radical experimentation in photographic printmaking
with the closest land mass far in the distance
Bernard Smith wrote for The Age that she was “the surprise of the week”
It can be understood as a working proof
Frank HODGKINSON (1919 - 2001)
Paper Size: 52 x 40 cm
