Making contemporary theatre ART / Study & Teaching

Making contemporary theatre ART / Study & TeachingMaking contemporary theatre reveals how some of the most significant international contemporary theatre is actually made. The book opens with an introductory chapter which contextualises recent trends in approaches to theatre making. In the ensuing eleven chapters, eleven different writer observers describe, contextualise and analyse the theatre making practices of eleven different companies and directors, including Japans Gekidan Kaitaisha and the

the following questions emerge:

Narrative and spectacle describe two extremes of film content

This frank and uncompromising account gives the inside view from the EU side of what it was really like to negotiate the Brexit agreement with the UK

the work argues that it is now appropriate for feminists to develop new ways of reading the divine in women’s writing

and comparative political economy

• Phylis Nagy

A visual record of the country’s transition from socialism to capitalism

including Paul McCarthy

and produces one of the largest numbers of queer films directed by and starring women

including economy

and Freedman discusses how television’s increasingly congenial creative environment has allowed it to turn out productions whose ability to engage with these larger social questions rivals that of films from the height of cinema’s Golden Age

the essays assembled in Contemporary Olson provide a major re-assessment of his place in postwar poetry and culture